Subjective Gaze in At Eternity’s Gate

“God is nature, and nature is beauty.”

Julian Schnabel’s At Eternity’s Gate, a biopic of Vincent Van Gogh (Willem Defoe), is a lush and pastoral film, imbued with the same depth and tactility that characterised the artist’s paintings. It is full of ruminations on beauty and nature, such as the above quote, but it curiously seems to argue against those things as a salve or saviour; although they made Van Gogh’s life more tolerable, and deeply informed his art, they were ineffective in saving Van Gogh from his inner torpor. Ambiguously, and perhaps wisely, the film doesn’t seek to pathologise or categorise, with a modern lens, whatever it was that afflicted the great artist, and instead simply shows scenes from his life as Van Gogh might himself have experienced them.

Continue reading “Subjective Gaze in At Eternity’s Gate”

Exploring The Ineffable Physicality of Jean-Pierre Léaud in Nobuhiro Suwa’s The Lion Sleeps Tonight, and other works

“You have to walk hand in hand with death through life.”

This is the truest line of dialogue spoken in Nobuhiro Suwa’s flawed yet captivating 2017 film The Lion Sleeps Tonight, and it is a barefaced lie. It is spoken by Jean Pierre Léaud, playing a thinly veiled version of himself, called Jean. The words are to his ex-lover, Juliette (Pauline Etienne) who may or may not have committed suicide, but did die mysteriously, at the age of 23. Jean, now 72, has started to see her, her ghost, her essence, as she has been preserved in his memory through Jean’s long years without her.

Continue reading “Exploring The Ineffable Physicality of Jean-Pierre Léaud in Nobuhiro Suwa’s The Lion Sleeps Tonight, and other works”